Concrete in the eyes of Uncini, Smithson and Kiefer: art of building, geological nature, decaying material
DOI:
https://doi.org/10.14633/AHR027Abstract
The generation of artists that were active in the ‘50s and ‘60s represents a significant contribution to the awareness of the alternative expressive potential of building materials, such as concrete. For these artists, engineering works, a visit to construction sites, and manufacturing processes of materials all provided references, artistic rather than technical, for the manipulation of materials. The paper analyses the works of artists such as Giuseppe Uncini, Robert Smithson and Anselm Kiefer, highlighting how, just at the height of international architectural brutalism, artists of the younger generation were looking for models for the use of reinforced concrete as a powerfully metaphorical material. Those models were not only the architecture built by Pier Luigi Nervi, Le Corbusier and Louis I. Kahn, but also works in concrete which can be considered almost ancestral or, in any case, primeval as they were not yet contaminated by artistic manipulations. Dams, bunkers, simple buildings, quarries, ruins, and building sites became models of primeval concrete forms, far from the pattern of the skeleton structure that had emerged in the international style. During the twentieth century, and up to the present day, several books and manuals dedicated to the materials of sculpture have been published. Despite this valuable literature, the question of an analysis focused on concrete as the preferred material of sculpture remains marginal. The paper takes into account the peculiarities of technical and shaping processes of concrete, to study the creative relationships between conception and realization, idea and matter. The paper proposes an unprecedented study of the creative processes for the genesis of certain contemporary forms, which are common in sculpture and architecture, and can contribute to a better understanding of the “nature” of concrete as “liquid stone”.Key word: Sculpure, Aechitecture, Concrete, Uncini, Smithson, Kiefer
Downloads
Additional Files
Published
How to Cite
Issue
Section
License
Copyright (c) 2016 Anna Rosellini

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
ArchIstoR is published on the web in open access.
Authors who publish with this journal agree to the following terms:
- authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial 2.0 Generic License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
_2.jpg)







2.jpg)











