L'immagine di Napoli a Bologna. Appunti per uno studio fra arte e scienza (XVII-XVIII secolo)

Giulia Iseppi

doi:10.14633/AHR122

The image of Napoli in Bologna between art and science (XVII-XVIII century)

Authors

Giulia Iseppi Università di Roma, La Sapienza

DOI:

https://doi.org/10.14633/AHR122

Keywords:

Naples, Bologna, Baroque, Institute of Sciences and the Studio, Vesuvio, visual arts

Abstract

Between the seventeenth and eighteenth centuries, some new cultural relations between Bologna and Naples developed a new dialogue between the two cities, focusing on new scientific discoveries and academic disciplines. From this moment on, Naples and the South become a pole of attraction in the reflections of intellectuals and artists of the Bolognese circles. Thanks to the Institute of Sciences and the Studio in Bologna, it begins a production and a collection of texts, images and objects that refer to the charm of the coastal city. If some of these materials have already been analyzed individually, the paper aims to set a broader reflection that recomposes a network of correspondence; it also identifies the attention on Naples during the eighteenth century within the main figurative genres and collectors who animate the Bolognese artistic culture.

Author Biography

Giulia Iseppi, Università di Roma, La Sapienza

Dipartimento di Storia dell'Arte

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Published

2019-12-21

How to Cite

Iseppi, G. (2019). The image of Napoli in Bologna between art and science (XVII-XVIII century). ArcHistoR Architecture History Restoration - Architettura Storia Restauro, 5(11), 126–149. https://doi.org/10.14633/AHR122

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Issue

ArcHistoR (Extra n. 5/2019): The South of Italy: Sketches and Travel Notes. Interpretation of images and search for an identity

Section

Part I - Interpretation of images

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