Gianlorenzo Bernini, Mattia de Rossi and a project for the chapel of San Domenico in the roman convent of Santa Sabina all'Aventino
DOI:
https://doi.org/10.14633/AHR033Keywords:
Rome, Gianlorenzo Bernini, Mattia de Rossi, XVIIth centuryAbstract
Recently, the chapel of San Domenico – in the mezzanine of the roman convent of Santa Sabina – has been stylistically attributed to Gianlorenzo Bernini. Until now, the most relevant documentary connection between Bernini and the chapel was recognized in the papal chirografo issued on the 10th of December 1669 by Clement IX Rospigliosi (1667-69), related to the intervention on the Aventine Hill, and other four works, also referable to Bernini. Here, this paper proposes new reflections to support this link, developed in the analysis of two drawings, normally associated with the Bernini school but not specifically to this chapel. They represent a previous version of the executive project and probably were carried out by Mattia De Rossi (1637-95), who was the first assistant of Bernini in architectural works. This circumstance allows us to further detail the design process of the work and also to study the modus operandi of the old artist in the last period of his production and the degree of autonomy granted to his most trusted collaborator.
Keywords: Rome, Gianlorenzo Bernini, Mattia de Rossi, XVIIth century
Downloads
Additional Files
- Figura 1 (Italiano)
- figura 2 (Italiano)
- figura 3 (Italiano)
- figura 5 (Italiano)
- Senza titolo (Italiano)
- Senza titolo (Italiano)
- Senza titolo (Italiano)
- Senza titolo (Italiano)
- Senza titolo (Italiano)
- Senza titolo (Italiano)
- figura 4 (Italiano)
- fig-12 (Italiano)
- fig. 13 (Italiano)
- didascalie (Italiano)
- bibliografia (Italiano)
- abstract (Italiano)
Published
How to Cite
Issue
Section
License
Copyright (c) 2016 Antonio Russo

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
ArchIstoR is published on the web in open access.
Authors who publish with this journal agree to the following terms:
- authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial 2.0 Generic License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
_2.jpg)







2.jpg)











